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The Complete Guide to High-Fire Glazes: Glazing & Firing at Cone 10 (A Lark Ceramics Book)
The Complete Guide to High-Fire Glazes: Glazing & Firing at Cone 10 (A Lark Ceramics Book)

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Author: John Britt
Publisher: Lark Books
Category: Book

List Price: $17.95
Buy New: $10.09
You Save: $7.86 (44%)



Avg. Customer Rating: 5.0 out of 5 stars 14 reviews
Sales Rank: 120720

Media: Paperback
Edition: 1st Pbk. Ed
Number Of Items: 1
Pages: 184
Shipping Weight (lbs): 1.6
Dimensions (in): 10.9 x 8.4 x 0.6

ISBN: 1600592163
Dewey Decimal Number: 738
EAN: 9781600592164

Publication Date: August 1, 2007
Availability: Usually ships in 1-2 business days
Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.

Customer Reviews:
Showing reviews 11-14 of 14
 « PREV  
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5 out of 5 stars A Must Read for Potters   October 13, 2004
 19 out of 20 found this review helpful

Potters are largely known as a generous group. However, there are a few clay artists whose working methods are kept like a closely guarded secret. If there were any secrets with regard to high fire ceramics, John Britt has shed light on a range of materials and processes that will help aspiring ceramists working in this challenging area. Some of the topics covered by Mr. Britt include raw materials, mixing, application, firing, and glaze recipes. The chart for limits and firing cycles are especially informative. In addition to the illustrations, I also a appreciate the photographic images of the pottery and sculpture. They are well lit and in full color and provide an example of the glaze color and texture. I highly recommend "The Complete Guide to High-Fire Glazes." It is a must read for potters.


5 out of 5 stars The Mandatory Book for High-Fire Glazes and Glazing!   September 27, 2004
 16 out of 17 found this review helpful

The Complete Guide to High-Fire Glazes: Glazing & Firing a Cone 10 by John Britt is the most beautiful and comprehensive book written to date on the subject of high-fire glazes. John Britt has literally filled the high fire information vacuum. This book covers everything that you might want to know about glazes and glazing from a very practical and operational standpoint ... the materials, the cones, the type of glaze application, the recipe, the type of firing, and reproducibility. Just as important, there are so many pictures of glazes on real pots as well as test tiles, all well labeled, for the visual learners (and aren't we all?!!!). This book is a major contribution toward demystifying high-fire glazing and glazes, and will become the foundation for high fire ceramics, much as Mastering Cone 6 Glazes and Glazes Cone 6 have become the guides for intermediate-temperature firing. This is the book for which I have been waiting ... I can't put it down! The only thing better would be John Britt in person.


5 out of 5 stars Mastering High Fire Glzes   September 12, 2004
John Britt has done a superb job with sharing his years of experience with successful high fire glazes. John not only provides recipes and pictures of successful glazes but he gives detailed information on how best to fire these glazes. The book is well organized and allows glazes to be found easily. The pictures of glazed pieces and test tiles are of high quality and give accurate representations of the glazes. I recommend this book especially to those of us ceramicists who are working with high fire glazes. Even if you are not working with high fire glazes this book may change your mind . I highly recommend this book.


5 out of 5 stars A must-have reference guide to all high-fire glazes!   September 8, 2004
 18 out of 20 found this review helpful

Ah, the rich and wonderful world of glaze recipes!

John Britt's enthusiasm is contagious and heartening to anyone who has ever pulled pots out of kiln thinking or saying: "I thought that was going to be green!" Mr. Britt, first as a student, then a teacher and, ultimately, as coordinator at the Penland School of Crafts has seen hundreds of firings and thousands of students unload kilns with that same quizzical look. This book, studied and understood, will help everyone who works with clay get closer to a rewarding final product. Or, at least, you'll understand why your pot turned red when you thought it would be green and what you need to do next time!

Mr. Britt has written and compiled a comprehensive guide to just about every type and color of high fire glaze that you might ever have an inclination to fire. The book, perhaps like no other of its type, delves deeply and thoroughly into the many sub-divisions within glaze families. Most students and pottery appreciators know that iron will give you celadons and temmokus, but rarely has anyone walked us into the murky waters of oil spot glazes and the science behind them. With dashes of wit and sardonic humor, Mr. Britt takes the student as well as the professional through the processes and systems necessary to understand and demystify high-fire glaze chemistry.

Writing a book about glazes is tricky business: there's a fairly large gray area where aesthetics and science overlap. There are also eons of information that, over the years, has been interpreted and re-interpreted by countless teachers and students. Mr. Britt deftly avoids these pitfalls by showing us the results as he's recorded them.

Everything you need is here: A "how-to" on cone packs (one of the most important parts of glaze testing) and keys to good test tiles. He gives the reader systems for understanding the mixing of glazes and the application of glaze. We see test tiles fired in different kiln atmospheres and he discusses plainly how these atmospheres can dramatically affect our glazes so that we can clearly begin to see the relationship between recipe and firing. Wonderfully, each section is bursting with glaze recipes so that the reader can immediately begin to round out their own palate of five-gallon buckets.

Like a great dance teacher, he shows us that within a system of steps, there is unlimited opportunity for fun and satisfaction. Those quizzical looks at the kiln will be replaced by smiles. Plus, we won't look like such goofballs on the dance floor at NCECA. Well, one out of two isn't bad.



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