Finally! Finally, there is a book on Micromosaics, and what a wonderful book! Prior to the publication of Jeanette Hanisee Gabriel's masterful research job, there have been no books available to the collector of Micromosaics or for anyone who wants to read about a little-mentioned, and fading art. And who better to write the book then Ms. Gabriel who has been Sir Arthur Gilbert's Private Curator since 1994. Sir Arthur Gilbert's collection which now resides at Somerset House in London can only be equaled by the collections of The Vatican Museum in Rome and the Hermitage in St. Petersburg. There are a number of books that cover the vast and impressive Gilbert Collection: "Gold Boxes", "Monumental Silver", "Portrait Miniatures in Enamel," "Gold and Silver," "Hardstones" and now "Micromosaics." As I happily have the other books in my library - I can honestly say that the micromosaic book must have been the most difficult and yet it is extremely comprehensive. Ms. Hanisee's scholarly work on "The Gilbert Collection: Hardstones", must have been a bit easier to write as there is so much information on the art of Pietra Dura and Hardstone. Micromosaics is another ball of wax as so little was written - and I'm sure if it was to be had - Ms. Gabriel uncovered the information.
The Appendix has a fascinating section written by Professor Massimo Alfieri "New Notes on Giacomo Raffaelli and Michelangelo Barberi" two of the leading Master Mosaicists of the 18th and early 19th century ---- fascinating. It takes you to the time of the workshops, with letters, sales receipts, drawings and the like. Not only revealing, but just plain fun for devotees of the period. One can also find a section on techniques and materials used in the making of these compelling masterful and minutely executed works of art.
Seeing the fabulous color plates on almost every page, the items in the collection, one finds themselves rubbing their eyes in bewilderment over the artistry of these rare and intricate pieces. The footnotes are so interesting and well-written that they are a book within themselves, and my only wish was for a third hand to mark the place as I turned from text to illustration to footnote and back to text. In many books one tends to skip a lot of the footnotes, unless they pertain to a particular interest -- but Ms. Gabriel has added fascinating information and I told myself it was worth the digital exercise to read each and every one.
Lastly - Jeanette Gabriel has masterfully included very detailed Biographies of the known artists of the time and the literature connected with these artists; a Glossary - with full descriptions; a seven page Bibliography; Exhibition Histories, and an extremely well-written Index.
"The Gilbert Collection: Micromosaics" may look like a sumptuous coffee table book of 310 pages (which it is:), but it is definitely not fluff and mirrors -- it is a serious and fascinating work which should included in any library of Decorative Arts.
Obviously - I think it's just great, I thank Ms. Gabriel, and I give it 5 stars.
Margot Conte
